ABOUT
Who is Kathryn Aalto?
Kathryn Aalto is an American teacher, designer, speaker, and New York Times best-selling writer of creative nonfiction focused on the natural world.
For the past twenty-five years, her creative practice has fused nature and culture: teaching the literature of nature and place; designing beautiful and sustainable gardens; writing about the natural world. Based in England, she teaches popular online and live writing courses, mentors emerging writers, and leads writing retreats in Devon and Cumbria.
“As a writer and designer,” Kathryn says, “I strive to create compelling narratives: for readers in words, for clients in plants. As a teacher, I am committed to teaching with integrity and helping each student experience transformative individual growth through the literary arts. I am guided by a passion to grow and reimagine — the self, art and society, and greater-than-human life — through inspirational teaching, critical thinking, and radical empathy in the expressive arts.”
Kathryn is the author of three books including Writing Wild: Women Poets, Ramblers, and Mavericks Who Shape How We See the Natural World (2020), The Natural World of Winnie-the-Pooh: A Walk Through the Forest that Inspired the Hundred Acre Wood (2015), and Nature and Human Intervention (2011). A personal essayist and book reviewer, her work has appeared in Smithsonian Magazine, Outside, Sierra, Buzzfeed, Resurgence and the Ecologist, and more. She is currently working on her fourth book.
Kathryn leads a thriving online writing school in creative and narrative nonfiction for life-long learners. Limited in size and international in scope, these live classes criss-cross time zones. Students from around the world are attracted by deeply engaged teaching, quality course material, dynamic guest speakers, detailed feedback on writing, and uplifting and trusting community. “Kathryn is the best provider of author-led courses and mentoring,” according to Tanya Shadrick, author of The Cure for Sleep.
Kathryn travels widely as a keynote speaker and narrative performer at museums, universities, libraries, arboretums, book festivals, garden clubs and conservation groups. These have included The New York Public Library, Harvard University’s Arnold Arboretum, the Northwest Flower and Garden Show, and the Louisiana Book Festival.
Kathryn is a judge with the Nature Chronicles Prize in Britain and co-founder of The Rural Writing Institute with James Rebanks in Cumbria. She is a member of Association for Writers and Writing Programs (AWP) and the Association for the Study of Literature and Environment (ASLE). She has a Masters degrees in both Garden History (University of Bristol) and Creative Nonfiction (Western Washington University) and a Bachelors in English from the University of California at Berkeley. She is a graduate of the London College of Garden Design and is a Trustee for The Ashdown Forest Foundation.
Kathryn is an ardent supporter of fellow writers as well. “I was delighted when Kathryn helped me launch my Yale University Press book, The Doctor’s Garden, in February 2022 via a Zoom ‘In Conversation’ event,” writes Dr. Clare Hickman, senior lecturer at Newcastle University. “Kathryn had carefully read and considered the various angles I had taken to the material. She insightfully drew out the larger themes and scope and understood the originality of my work and how it sits within the wider context of landscape and botanic history. In particular, the discussion interweaving the academic research and my approach to writing was a joy and am sure helped me communicate verbally the processes as well as the outcomes of years of investigation. She was outstanding as an interviewer.”
“Kathryn Aalto has proven herself to be a person of extreme integrity, of careful preparation, and of utmost professionalism,” says Janisse Ray, author of Wild Spectacle, Ecology of a Cracker Childhood and six other books. “She graciously agreed to host an online book launch for me. I wanted her to do it because of her seminal and ground-breaking survey of women’s nature writing, Writing Wild. She proved to be beyond my wildest expectations. She was incredibly calm, obviously adept at managing the myriad threads involved in hosting an in-depth interview being broadcast live—the conversation itself, questions from the audience, the time, and much more. Not only calm, she was remarkably polite, kind, inclusive, and very knowledgeable about the subject at hand. Seemingly without effort she was able to drop into a deep, plundering, soul-stirring conversation, where the audience members felt as if they were eavesdropping, as if at any moment juicy information helpful to their lives might be revealed.”
TEACHING EXPERIENCE
Kathryn is a passionate practitioner and educator of narrative nonfiction with a speciality in writing profiles, nature writing, and the personal essay. For more than twenty-five years, she has taught writing and literature courses at colleges and universities including The Huxley College of the Environment and the English Department at Western Washington University, Everett Community College, and the University of Plymouth. She oversees a professional mentoring practice for emerging to published writers as well as thriving online writing courses and monthly workshops. Kathryn has taught at summer writing schools in England and leads immersive Retreat to the English Countryside each autumn at The Pig Hotel in Devon.
TEACHING PHILOSOPHY
Kathryn’s teaching philosophy is focused on individual growth and encourages a uniquely personal exploration of narrative nonfiction. She believe teaching is about responding to each student, whether they are emerging writers or writing beyond the level of content mastery. She creates a supportive learning environment that fosters creative expression, critical thinking, and individual artistic growth. She is deeply influenced by the Harkness Method invented in the 1930s at the Phillips Exeter Academy in New Hampshire where her three children were educated. In this teaching method, no more than twelve students sit together with one teacher. Each voice carries equal weight. It is about collaboration and active listening. “It can spark a revolution,” according to PEA. “It’s where you explore ideas as a group, develop the courage to speak, the compassion to listen, and the empathy to understand.”
TESTIMONIALS
“Kathryn’s workshops are absolute troves of clear, thoughtfully presented material. She seamlessly blends engaging and foundational readings, compelling lecture, and meaningful workshopping. What I was most blown away by, though, was her fierce dedication to each participant’s journey – meeting each one of us where we were and guiding us further along in our writing path. From handwritten feedback to answering questions after hours, Katy really went above and beyond to ensure our growth and success.”
“I think it can be really hard for people with a neurodiversity to consider a class as a hobby or pleasure. There’s just SO much anxiety about once again being judged, by a teacher or peer group, and being found lacking or “other” rather than valuable and connected. It’s something most of us have experienced far too often in educational and social settings, so we avoid making ourselves vulnerable to those experiences in future. But this can cut us off from taking joy in our interests within a community, which is isolating and also stops our stories being heard. The foremost reason that I chose Kathryn’s class was trust. She will always find both the most relatable and the most admirably unique aspects of everyone’s writing, and help them to bring those aspects into communion. Her classes are consciously inclusive – more than inclusive; celebratory! – of every individual and their different talents and challenges. I’ve really appreciated all my classmates too. There’s been such an atmosphere of warmth and enjoyment along with all the learning and practicing and growing. Writing genuinely can be rewarding for everyone.”
“The Art of Narrative Nonfiction is a wonderful class, and Katy is an amazing teacher. As an emerging writer, I was a bit nervous to take the course. Katy’s welcoming presence from the first minute put me at ease, and I have enjoyed and benefitted from all that she offers: interesting writing assignments, wonderful books and readings, workshopping opportunities with supportive classmates, an author visit, etc. The effort that Katy spends in reading each of our drafts and providing valuable feedback has helped me immensely in the past several weeks. I am excited to take more classes with her in the future.”
“Margaret Atwood said “If you really want to write, and you’re struggling to get started, you’re afraid of something”. Kathryn fixes those nagging fears by showing writers what we have that is already good, and what we can do better tomorrow. It’s win-win, and she remakes a traditional “class” into such an enjoyable, productive journey. I’ve also been lucky enough to experience the awe-inspiring surroundings and warm community that form the bedrock of the Rural Writing Institute. It’s not often that you can genuinely say that one long weekend shifted the way you look at the world, but the effects are still with me in my reading and writing years later.”